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Topic: adobe illustrator
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Zephos
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Member # 206
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posted 27-03-2005 04:55 AM
Ahhh, my old friend Illustrator. In anycase, I'll spare the history lesson and get down to it.For shortcuts and tutorials, Adobe products in the CS line all pretty much come with extremely comprehensive tutorials and encylopedias in the Help menu, and you can find all of the shortcuts and even make your own through under Edit/Keyboard Shortcuts. This kind of stuff is a bit too complicated to explain in a post without some serious eyesore. Anyhow, Illustrator is PS's cousin (Image Ready would be PS's little brother, metaphorically) and is a vector program instead of a raster... so basically, it boils down to connect the dots as opposed to paint the pixels. Illustrator's main gun is its pen tool and the vector paths that it utilizes. In essence, you can create any curve that you want perfectly, but first you have to master the "Mighty Python" and get a feel for how the pen tool works and curves. The pen tool is a lot simpler than it originally appears to be. You can always draw freehand with a wacom and get pretty good results with the right settings, but unless you understand how the paths work and curve, it'll be difficult to make modifications. I could tell you that it's all about knowning where to split the points when drawing the curves (At least one point for every 90 degrees radial change in angle) or how to adjust the handles, but..., teaching a person how to use the pen tool is like teaching an infant how to walk. It's simple to say "Put one leg in front of the other" but in actual execution, it is much more difficult to learn. In regards to anime artists, very few rely on Illustrator exclusively... usually, they use it for lineart, arrangment and making mattes, turning to PS for coloring. That being said, the best way to learn how to master the pen tool, the biggest step in mastering Illustrator, is to practice by tracing drawings. Very few humans on this planet have a perfectly trained hand (Capable of drawing perfect strokes with perfect pressure in perfect context) so Illustrator, with it's computer generated lines and shapes is perfect for cleaning up line art. As such, the best way to get the feel for the pen tool is to scan in your own rough lineart and try to clean it up in Illustrator, then taking them to PS to finish off. There are so many other little details to learn about Illustrator, but they should come naturally as you use the program, but if you have any specific questions, feel free to ask.
-------------------- www.xynthica.com Zephos's ice creamy anime and manga art, featuring Xynthica, a fluffy little female biped who works as a summoned monster for endorsing products -- instead of killing things! Contains cute colorful cartoons and caustic cultural commentary!
Posts: 93 | From: | Registered: Feb 2004 | IP: Logged
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Zephos
Member
 
Member # 206
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posted 27-03-2005 09:57 PM
Hahhaha, yeah, I've always wondered about that too. As far as I'm aware, Illustrator is incapable of line stroke variation unlike Photoshop's artificial pressure stroke... it may be possible to export the paths alone to PS and stroke them there, but if there was a way, I haven't completely figured out yet how, since it would seem to be above conventional import export capabilities. I know that some Japanese artists use some hybrid vector program or other that is capable of such a thing, but I'm unclear on the details, not being able to speak fluent Japanese and all. PS: I asked this question a long time ago on the board with no answer, but there IS a work around method for line stroke in Illustrator, but it's painful for very complicated pieces: To get artificial line stroke in Illustrator, there are three methods: 1. Double the line and offset the curve of one line slighly, this will give the illustion of line stroke. The draw back is the time it takes to do so and limited effect. 2. Use fills instead of lines. There is a command to "Covert Lines To Outline" or something of that nature that will do it automatically, but you must make the curve mods manually. The disadvantage is that it takes even more time, but it gives you more control. 3. Put your own pointed cap fills at the end of lines. One Japanaese artist I know does this and highly recommends it. I personally think it takes too much time, but the alternatives aren't looking much better.
-------------------- www.xynthica.com Zephos's ice creamy anime and manga art, featuring Xynthica, a fluffy little female biped who works as a summoned monster for endorsing products -- instead of killing things! Contains cute colorful cartoons and caustic cultural commentary!
Posts: 93 | From: | Registered: Feb 2004 | IP: Logged
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<Bomu>
Newbie
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posted 31-03-2005 11:26 AM
I posted this link a while back, but here it is again:Inking /w Illustrator 10 I tried out Illustrator a few years back but couldn't get to grips with the pen tool! Patience is definetly requried.
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Zephos
Member
 
Member # 206
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posted 01-04-2005 05:36 AM
Oh, that problem again, huh Yeah, I talked about that in the AHH Puke thread of Cloud's just recently. Basically, just turn off "Edit Select Paths" in the pencil tool preference (Just double click on the pencl tool icon) and you'll be able to draw freely without the lines combining.As for Wacoms, I've used my original Graphire for oh... five years now? Really useful utility! It should be noted with Wacoms though, that it takes a bit of time to get used to before your pen accuracy matches your real life counterpart, since the Graphire series has a friction minimal service (Ever drew with a marker on glass?), and you're looking at the screen all the time instead of at the tablet, so you have to get the feel established. One trick I used to do when I was a beginner was put a piece of paper on top of the Wacom to provide friction. Some of the later models have different feels, like the Intuos that feels a little springy when you draw. The two corner stone progs for tablets are Alias Sketchbook and Corel Painter, although it still works excellent with the good old PS 
-------------------- www.xynthica.com Zephos's ice creamy anime and manga art, featuring Xynthica, a fluffy little female biped who works as a summoned monster for endorsing products -- instead of killing things! Contains cute colorful cartoons and caustic cultural commentary!
Posts: 93 | From: | Registered: Feb 2004 | IP: Logged
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