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Topic: Does anyone kno the stuff i need to draw real authentic manga?
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Zephos
Member
 
Member # 206
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posted 20-05-2005 02:32 PM
I have to completely agree with Tri-kento and Bomu's line of thought on this subject. There was a time when I tried to seek out all of the authentic equipment like screentones, the best type of manga paper, the specific pen nibs and so and so on, but if you happen to be living outside of Japan, getting that stuff will drive you into a root canal worth of pain and the importing charge from hell on top of it... You eventually learn the authenticity is instilled far more in the artist's aesthetic sense and technique as relevant to the genre and expressed within themselves than any mere arsenal of equipment... besides, classic manga technique is becoming quite archaic in today's technological advances, specifically in regards to computers and their graphical application... Still... let's see what I can remember from my younger days... Well, like other people said, authentic manga artists use India Ink, so that's pretty standard... They say that the best quality is made in Asia of course (I believe the Chinese actually invented India Ink... something like that)…. On the other hand, the asian pen system is quite different from what you'd normally find in North America. The Japanese have specific names for their pen nibs like spoon, g-nib, school and round. The North American system on the otherhand is a mishmash of unrememberable numbers and lettered prefixes. If you ask one of your local art dealers for a spoon pen outside of asia, prepare for some confusion unless they really know their stuff. Let's see if I can remember... spoon pens are for more delicate line work, school pens have a harder more uniformed line width, g-nibs are flexible and have a good line variety with a soft feel, finally round pens have a hard feel with a great deal of line width variety. Hmmm... now paper type... whereas western comic artists use Bristol board usually at varying sizes according to the publisher, manga artists have their own specialty paper... respectively labeled A4 and B4. There is also B5, but it is rarely, if ever used by professionals, as it is smaller in size, but is commonly used by amateurs. Hmmm… let’s see if I can remember this right, A4 is what is conventionally used for individually pressed manga, think paperback novel like-ish, B4 is what is most commonly used for manga magazines, aka the big fricken’ phone books… but in either case, they are scaled down about 82% to allow for a more refined final product. It’s something a bit hard to understand unless you see them in real life. These numbers do not determine the quality of the paper, but rather the size. As always, the denser the paper, the better... I believe that 135kg is the most convention for professional manga production in Japan... Specialty made manga paper often has stuff like margins and guides to help you out for production, but other than that, it's not that much different from any other high quality stack of paper. Now screen tones... I hate screentones... bloody archaic mess of cut, peel out and press ons. Damn with today's computers, you can do everything screen tones could ever have prayed for and more... but ehhh... Screentones are really hard to find outside of Japan these days... Hmmm... so to describe screentones in a nutshell, they are like press on textures and shading that you can use to elaborate your black and white work... screentones were conceptualized due to technological limits, since budget restraints in printing manga limited production to black and white instead of grayscale or color, so dithered screentones were created to make the job of shading and texturing easier with the black and white limit. Professional manga artists conventionally have a dull plastic knife like object called a tone applier or something between the lines… think a rice paddle but a lot more expensive and shaped like a knife. Let’s see what else there is… well, when it comes to manual coloring, the most trusted tool apparently boils down to Copic Markers… yeah, that’s the brand’s name, but there might be a foreign equivalent… basically, they are high quality markers that come in a myriad of colors and with a blending marker to boot… They also happen to be ungodly expensive… something like $250 US for the entire set, and that’s when it’s on special. Of course, I’d always recommend to take up your coloring on a computer, but if you really want to do it the old fashion authentic way, Copic Makers are your best bet… Apparently, there is also an optional airbrush application, although I’d imagine that it can’t be very cheap… Hmmm… other supplies… well, a pencil of your preferred lead type, an eraser (electric ones are nice if they didn’t cost a small fortune), any given ruler, a pencil style eraser (think of it as a pencil filled with eraser material instead of graphic), a scratch pad, white out and lots and lots of tissues for cleaning ink… there are also some inking pens out there that have an autofeed system that allows you to bypass the good old dip and ink procedure with no chance of leaking or splatters. There seem to be some companies in North America in Europe that make very good autofeed pens by the way. Oh, shape templates are also good, like circle templates and the like that make drawing shapes easier... think of them as cooky cutters for artists. French curves and Flexibles have also been of pretty good use to some artists and draftsme for drawing perfect curves once you learn how to use them... French Curves are like boomeranged shaped stencils that supposedly you can draw any curve imaginable with (It's a lot harder than it sounds though)... Flexibles are like adjustable snaky things you can use to draw a curve with... these things are pretty common, I bought all mine at Staples, hahahaha... although I stopped using them after I start relying on the computer 98% of the time. Okay… with all that being said, a computer and a graphics tablet can make all of the previously mentioned obsolete (And even more so if you deck it out with a scanner, a printer and a Tablet PC)… I probably have made this pretty clear already, but if you don’t live in Japan, it’ll cost you dearly to import all this art supplies, and lots of it is consumable so you’re going to eventually need seconds… I think this is my longest writeup yet on this forum, but I hope it you found it useful. Personally, I highly recommend studying Japanese aesthetics and stylistic preferences over what equipment they use, but the choice is yours ^_- [ 20-05-2005: Message edited by: Zephos ]
-------------------- www.xynthica.com Zephos's ice creamy anime and manga art, featuring Xynthica, a fluffy little female biped who works as a summoned monster for endorsing products -- instead of killing things! Contains cute colorful cartoons and caustic cultural commentary!
Posts: 93 | From: | Registered: Feb 2004 | IP: Logged
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Jedaka
Newbie
Member # 326
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posted 21-05-2005 01:45 AM
Copic Markers - I actually have a set of 72, www.copicmarkers.com (markerS<---.com, not marker.com) They're more expensive than you think, the full set of colors is actually more like $1,200. A set of 72 is about $300. And the airbrushing thing, I'm of the opinion that the propelling force behind developing that is, "Now how can we make them waste huge ammounts of marker color really fast?". They are high quality though. So if you're on a limited budget, do *not* buy copics. You will not have enough to buy enough colors to make it worthwhile.I do reccomend working with traditional media though. As Bomu said in his Art of Drawing Manga, "The final product only exists in a 'virtual world' - printing your work isn't as tactile as traditional artwork methods." If you go to my gallery at deviant art you can see examples of colored pieces done with copic markers, and one with prismacolor markers (Less expensive, not as nice, but still artist quality). http://~jedaka.deviantart.com/ Faye Valentine is a picture that I did in both CG and traditional, I scanned the line art from the traditional before I colored it with copics. Which do I think looks better ? the CG Faye. Which do I like better ? Copic Faye for sure. Because it's hanging on my wall and nobody else has it ^_^ Your cheapest solution for COLORING: Wacom Tablet + Adobe Photoshop CS (Or Corel Painter IX), I bought a Wacom Intuos 3 9x12 from www.campustech.com for about $385(Academic discount store). Not consumable, instant access to every color imaginable (and unimaginable). 9x12 is the largest size, they have smaller sizes for considerably less. I'm going to go ahead and just say you cannot effectively do digital art unless you have a tablet, period. [ 21-05-2005: Message edited by: Jedaka ]
-------------------- I rate pictures in binary, on or off, like or dislike, 0 or 10.
Posts: 8 | From: Lawrence, Kansas | Registered: May 2005 | IP: Logged
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